SyQon StudioDownload
Learn Studio

Know every tool.
Build your own workflow.

A complete guide to what every SyQon Studio function does, when to use it and how to approach it safely.

62
documented functions
8
workflow areas
7
real interface views
Real interface · Current Studio

See the workflow before you enter it.

The Image Lab
The Image Lab

Canvas, scientific scopes, processing inspector, neural models and layer stack in one native workspace.

Guided stacking
Guided stacking

Move from frames to method and output in a focused three-step workspace, with Smart Telescope and Advanced paths, calibration groups and frame review.

Fusion Stack
Fusion Stack

Current Stacking Studio method and integration settings

Spatial Observatory
Spatial Observatory

Unfold a solved field into catalogue distances, explore stars and galaxies in 3D, select an object to orbit around it and compare estimated separations.

Sky annotations
Sky annotations

Explore catalogue names and celestial coordinates over a solved image. WCS-aware overlays follow the astronomical field rather than becoming permanent image pixels.

Pano Studio
Pano Studio

Inspect sources, refine alignment and preview a composition before rendering. This demonstration uses overlapping crops of the supplied M106 master, not separate observations.

The Image Lab
The Image Lab

Current SyQon Studio workspace with the supplied M106 XISF master

© Georg Nikolaus Nyman

Fusion Stack · Complete manual

From sensor frames
to a verified linear master.

This chapter explains the complete Fusion Stack workflow: how to organise acquisitions, assign calibration, judge subframes, choose integration settings and verify the files Studio produces. Start with the recommended path, then open the advanced sections only when the data gives you a reason.

Public-beta discipline

Keep the original frames, inspect the manifest and diagnostics, and compare important integrations against a trusted workflow. Automatic recommendations are evidence, not a replacement for judgement.

01 · Prepare the session

The reliable first integration.

  1. 1Open Processing Tools → Calibrate → SyQon Fusion Stack. You do not need to open a light frame first.
  2. 2Choose Classic, Multi-night / camera or Mosaic Studio before organising the dataset.
  3. 3Choose the current filter: RGB, L, R, G, B, Ha, OIII or SII.
  4. 4Add lights and the calibration frames that belong to the selected acquisition and filter.
  5. 5For another night, camera, telescope, gain, offset, exposure family or panel, create a new acquisition.
  6. 6Choose Use scientific preprocessing defaults as the safe starting point.
  7. 7Set the results parent folder and a new results-folder name; Studio never overwrites an existing destination.
  8. 8Run Analyse subframes, open Review & select frames, inspect the plots and confirm the Use selection.
  9. 9Leave Drizzle Off for the first integration unless the capture has genuine, well-distributed sub-pixel dithering.
  10. 10Validate the session, resolve every reported mismatch, then choose Analyse and Stack.
  11. 11After completion, inspect the master, coverage and rejection diagnostics and stacking-manifest.json.
  12. 12Enable Display Stretch to inspect the linear master; the stored scientific pixels remain linear.
One-shot colour

OSC / DSLR

Use RGB lights. Calibration happens in the sensor domain before demosaic. Keep one Bayer pattern, camera configuration and geometry per acquisition. Choose Edge-aware development or CFA drizzle when its requirements are truly met.

Separate filters

Mono LRGB / narrowband

Assign L, R, G, B, Ha, OIII and SII independently. Flats and dark-flats follow the selected filter. Fusion Stack produces separate linear masters; combine them later with Channel Composition or Spectral Master Fusion.

Several acquisitions

Multi-night / camera

Create one acquisition for every calibration/equipment family. Choose a common reference grid. Each group is calibrated and integrated independently, then same-filter masters are registered and fused.

Several sky panels

Mosaic Studio

Create one acquisition per panel and calibration set. Choose a reference, verify shared stars or valid WCS, then inspect union coverage, overlap geometry and seams. Filters stay separate on the same output grid.

Folder import

Let Studio classify a dataset

Import dataset folder scans subfolders and available FITS frame-type headers, then proposes lights, darks, flats, bias and dark-flats. Review every assignment before stacking; folder names and incomplete metadata are not proof of compatibility.

Session files

Save organisation before computing

Save session stores source paths, acquisition groups, calibration assignments, settings and frame exclusions—not the image data itself. Keep sources at stable paths, then use Load session to resume the setup.

Moving targets

Align on a comet

Enable Align on comet / moving target and provide a CSV containing path, x, y for the target centre in each light. Studio converts the stellar transforms into target-locked transforms before integration.

Fusion Stack session with acquisitions, filters and integration settings
Acquisitions

Separate equipment, nights and calibration families.

Frame roles

Assign lights and matching calibration to the current filter.

Integration

Set backend, sampling, rejection, resources and output.

02 · Calibration frames

What belongs where.

Calibration isolation is the most important organisational rule in Fusion Stack. Darks and bias belong only to their acquisition. Flats and dark-flats belong to both the acquisition and the selected filter.

Frame roleScopeHow Studio treats it
LightsSelected filter + acquisitionScience exposures to analyse, register and integrate. Keep dimensions, CFA layout and acquisition scaling compatible.
DarksAcquisitionMatch exposure, gain/offset and temperature where metadata exists. Darks retain their bias pedestal; Studio handles bias-separated exposure scaling when valid inputs allow it.
FlatsSelected filter + acquisitionCorrect dust and illumination. Raw flats are corrected with matching dark-flats first, otherwise bias, then normalised per channel or CFA phase.
BiasAcquisitionOptional zero-duration pedestal reference. It is never borrowed from another acquisition and must not be subtracted twice.
Dark-flatsSelected filter + acquisitionPreferred correction for matching raw flats. They do not replace light-frame darks.
Master calibration fileIts original roleOne supplied file is accepted as a master. Enable “Flats are calibrated masters” only when the flat has already received bias/dark-flat correction.
Synthetic biasAcquisitionUse only a measured constant pedestal in normalised sensor units: 16-bit FITS ADU ÷ 65535. The camera OFFSET setting is not this measurement.

Temperature

When both headers provide temperature, a dark/light difference above 2 °C is rejected. Missing metadata cannot prove compatibility.

Variable exposure

Studio can scale bias-separated dark current only when the required exposure and bias information exists. It will not silently scale an unknown pedestal.

Overscan & defects

Advanced acquisition controls can apply a measured pedestal, overscan region, cosmetic correction and an optional defect map consistently.

03 · Analyse subframes

Measure first. Exclude deliberately.

Analyse subframes measures the current acquisition/filter without creating a master. Review & select frames is where you inspect distributions, preview individual files and decide which exposures are allowed into integration.

FWHM

Relative stellar width in registration-proxy pixels. Lower generally indicates tighter stars, but undersampling and saturation can distort it.

Eccentricity

Stellar elongation indicator. Compare its distribution across the session rather than treating one number as universal.

Noise

Diagonal-difference noise estimate used by quality and weighting. It is not a substitute for visual inspection.

Background

Per-channel median sky level. Sudden changes can reveal clouds, moonlight or transparency shifts.

Relative quality

Combined within-session ranking. It is a selection aid, not a statement of absolute scientific quality.

Stars

Number of compact stellar detections supporting quality and registration diagnostics.

Weight

Contribution derived from the chosen weighting rule after accepted-frame analysis.

Status

Explains recommendation, decoding problems, incompatibility or registration failure.

Current Stacking Studio method and integration settings

Review sequence

  1. 01Sort by quality, then inspect the worst and best tails.
  2. 02Change the metric plot and look for discontinuities or separate populations.
  3. 03Preview suspicious frames for clouds, trails, focus loss, clipping or tracking errors.
  4. 04Use the checkbox to override a recommendation only when visual evidence supports it.
  5. 05Choose Apply to retain exclusions; export CSV when you need an external record.

Large nebulosity, saturation and severe undersampling can influence the metrics. They are heuristics, not automatic cloud classification.

04 · Integration settings

Change a default only for a reason.

Scientific preprocessing defaults establish a robust baseline: calibrated masters, edge-aware demosaic, cosmetic correction, dark optimisation, local background normalisation, resumable checkpoints, point-source SNR weighting and automatic rejection.

Registration

Use the normal affine path for a consistent raw sequence. Blind projective registration is for large scale, rotation or perspective differences and should not be enabled merely because one poor frame fails. Non-converging frames are rejected instead of silently relabelled.

Normalisation

Local background normalisation corrects spatial background differences after registration. Within a raw acquisition the default is additive background matching, not arbitrary throughput or exposure scaling. Inspect faint extended signal carefully.

Weighting & PSF

Choose inverse variance, measured stellar signal or point-source SNR. Weights change contribution, not sample brightness. Optional PSF matching can equalise Gaussian variance to the broadest accepted frame before projection.

Rejection chooser

Automatic is the right first choice. Manual methods are for datasets whose failure mode you have identified in previews, maps or statistics.

MethodConsider it forBehaviour
Automatic by frame countRecommended defaultChooses a bounded method appropriate to the number of accepted frames.
Weighted meanVery small or exceptionally clean setsNo outlier rejection; every valid sample contributes according to weight.
Percentile clippingSmall stacksRemoves bounded low/high ranks where robust variance estimates would be weak.
Studentized sigma rejectionSatellites, hot residuals, isolated transientsTests each sample against statistics that exclude its own influence.
Studentized sigma clampTransient control without complete removalClamps detected extremes rather than discarding their contribution entirely.
Linear-fit clippingFrames with differing linear responseUses a fitted relationship before testing sample residuals.
Generalized ESDLarge stacksDetects one or more extremes with thresholds suited to a larger temporal population.
Min / maxPredictable fixed-rank removalRemoves a configured number of lowest and highest samples.
Large-scale rejectionBroad moving contaminationTargets spatially coherent rejected regions; use only when the data justifies it.
Sigma controls: lower and upper sigma limits define how aggressively dark and bright extremes are treated. Tightening them can remove real variable or compact signal. Inspect the rejection map rather than choosing values by habit.
05 · Drizzle & resources

More pixels are not automatically more detail.

Drizzle reconstructs sampling from real sub-pixel offsets. It does not invent resolution, denoise the stack or compensate for repeated identical dithers. Always integrate at native resolution first.

Off
1× dimensions · 1× pixels

Best first integration and default when dithering is absent or uncertain.

2×
2× dimensions · 4× pixels

Useful for genuinely undersampled, dithered data with manageable output size.

4×
4× dimensions · 16× pixels

Heavy storage and compute cost. Requires dense, varied sub-pixel phases.

6×
6× dimensions · 36× pixels

Specialist sampling mode, not six times more real detail. Coverage inspection is essential.

Pixel fraction and Point

A positive pixfrac spreads each square drop; smaller values reduce extra smoothing but demand denser coverage and can make noise less uniform. 0 · Point assigns each sensor sample once without spatial spreading. It requires dense dither phases and does not undo correlation already introduced by demosaic.

CFA drizzle

For Bayer lights at 2×, 4× or 6×, CFA drizzle integrates original red, green and blue sensor samples directly instead of interpolating before integration. Confirm the Bayer pattern and inspect colour-channel coverage; it is not appropriate for already demosaiced input.

Memory and disk

The memory budget is a ceiling, not a reservation. Fusion Stack caches calibrated float32 data and processes bounded output tiles, but one decoded frame and calibration buffers must still fit. Drizzle, maps, intermediate acquisition masters and checkpoints can require far more disk than the source dataset.

Backend and checkpoints

Automatic prefers the supported GPU path and reports the backend actually used. Decoding, robust statistics and some mosaic geometry remain CPU work. Checkpoints can reuse verified caches and completed tiles when inputs and compatible settings remain unchanged; retain enough disk space until verification is complete.

06 · Results & diagnostics

A master is not the only result.

A successful run publishes a named folder atomically. The image, maps and manifest together explain what was accepted, how it was transformed and where the output is trustworthy.

Master_*.fits

Float64 linear master for each populated filter or final fused band.

Coverage_*.fits

Effective support or acquisition weight. Use it to find holes, weak borders and uneven drizzle sampling.

Rejection_*.fits

Where temporal samples were rejected. Look for expected trails/hot pixels and unexpected target-shaped rejection.

stacking-manifest.json

Inputs, assignments, accepted/rejected frames, transforms, gains, residuals, settings, warnings and provenance.

Final quality check

  • Read every warning and verify accepted/rejected counts.
  • Enable Display Stretch; inspect centre, corners and mosaic overlaps at 100%.
  • Check star shapes, colour balance, gradients, clipping and satellite residuals.
  • Inspect coverage at edges and every drizzle or mosaic transition.
  • Inspect the rejection map for target-shaped structures.
  • Keep the manifest with the master so the integration remains reproducible.
Astrometric mosaic planning interface in SyQon Studio
Mosaics: plan before integration

Use common sampling, sufficient overlap and a defensible reference. The acquisition mosaic and post-production mosaic workflows are related, but they start from different inputs.

Troubleshooting

When the data disagrees.

?A calibration mismatch is reported

Do not bypass it blindly. Check camera, dimensions, binning, Bayer pattern, exposure, gain, offset and temperature. Move incompatible files into a separate acquisition.

?The master opens almost black

That is expected for linear data. Enable Display Stretch for inspection; do not alter the master merely to make a viewer display it brightly.

?Stars fail to register

Choose a representative reference, verify overlap and comparable scale, remove frames with trails/clouds, and use blind projective registration only for genuinely large geometric differences.

?Drizzle shows holes or uneven noise

The dither phases are insufficient or pixfrac is too small. Inspect Coverage, increase positive pixfrac, reduce the drizzle scale or return to native resolution.

?A mosaic has seams

Verify calibration per panel, overlap support, WCS/stellar geometry, local background normalisation and feathering. Controls cannot recover missing exposure.

?The job needs too much memory or disk

Lower the working-memory ceiling only if one decoded frame still fits, use a fast local SSD, disable unnecessary drizzle/maps and remove retained checkpoints only after the result is verified.

?A frame is checked but still excluded

Manual Use overrides quality/FWHM/eccentricity limits, not unreadable data, incompatible geometry or failed registration.

?The run is interrupted

No partial final master is published. Load the saved session and reuse compatible checkpoints when inputs and settings are unchanged.

Searchable reference

Every function, explained.

Search by outcome—try “remove green”, “walking noise”, “mosaic”, “stars” or “export JPEG”—or filter by workflow area.

62 functions
Inspect & Output

Spatial Observatory

Unfold a solved field into catalogue distances, explore stars and galaxies in 3D, select an object to orbit around it and compare estimated separations.

Use it when

Exploring a solved field in three dimensions.

How to use it
  1. 1Solve the active image, then open 3D from the toolbar or View menu.
  2. 2Select an object to rotate and zoom around it; use Fly to selection to approach it.
  3. 3Choose the stellar or galaxy scale, measure A ↔ B and inspect source and uncertainty.
Distances are catalogue estimates, not measurements extracted from image brightness.
Inspect & Output

Share the spatial view

Export the scene as PNG, PDF or MP4 with the Earth as the observation origin. Choose Landscape, Vertical or Square video framing; every export carries the Studio signature.

Use it when

Sharing an isolated 3D scene.

How to use it
  1. 1In the 3D window, choose Save, then PNG image, MP4 animation or PDF.
  2. 2For video, choose Landscape, Vertical or Square and a destination file.
  3. 3Exports contain the scene rather than the application interface, with the SyQon Studio logo and signature; the video includes Earth.
Inspect & Output

Sky annotations

Explore catalogue names and celestial coordinates over a solved image. WCS-aware overlays follow the astronomical field rather than becoming permanent image pixels.

Use it when

Identifying objects in a solved image.

How to use it
  1. 1Solve the active layer with Image Solver before enabling sky annotations.
  2. 2Enable the sky overlay and inspect catalogue names and celestial coordinates over the image.
  3. 3Check the WCS alignment; a catalogue label alone does not confirm an image detection.
Stacking & Astrometry

Pano Studio

Bring overlapping panels into a dedicated workspace for alignment, control points, masks, composition preview and final rendering.

Use it when

Composing overlapping, already-processed panels.

How to use it
  1. 1Open Image → Pano Studio and add the source panels.
  2. 2Inspect alignment, refine control points and masks, then preview the composition.
  3. 3Render the panorama and inspect seams and coverage before continuing processing.
Inspect & Output

Interactive CLI model editor

Launch the focused model editor with -gui: ROI, model intensity, switchable Autostretch and Done return an image to the calling script in its original container format.

Use it when

Letting an external script pause for manual model processing.

How to use it
  1. 1Run syqon-cli -gui input.tiff output.tiff and wait for the process to exit.
  2. 2Select a model, position the ROI, adjust application intensity and toggle display-only Autostretch as needed.
  3. 3Click Done to save in the input container format: exit 0 returns the saved path; closing without Done returns 20.
Studio authentication and model entitlements still apply. First use may require sign-in and model asset setup; -gui does not bypass licensing.
Start

Welcome workspace

Start a stack, open an image or project, compose channels, or launch the guided tutorial.

Use it when

You are beginning a new session.

How to use it
  1. 1Choose New stack for raw subframes, Open file for an existing image or project, or New channel composition for masters.
  2. 2Use Explore Processing Tools to browse the complete component catalogue.
  3. 3Keep multiple images open as tabs or detach them when comparing documents.
Start

Open images and projects

Open FITS, XISF, TIFF, PNG, JPEG, camera RAW, SYQPRJ and self-contained SYQ documents.

Use it when

You already have a master, photograph or saved Studio project.

How to use it
  1. 1Click Open… in the top toolbar or use File → Open.
  2. 2Review the file preview and scientific metadata.
  3. 3For SYQPRJ, keep the matching .syqprj.assets folder beside the project file.
Start

Camera RAW development

Decode DSLR and mirrorless RAW data with controlled demosaic, white balance, highlight recovery and camera colour handling.

Use it when

Opening CR2, CR3, NEF, ARW, DNG or another supported camera RAW file.

How to use it
  1. 1Open the RAW file and review the development panel before creating the document.
  2. 2Choose the demosaic and white-balance source appropriate to the acquisition.
  3. 3Set highlight recovery, exposure and colour handling conservatively.
  4. 4Create the RGB document, then continue with the standard layer workflow.
Start

Canvas navigation

Zoom, fit, pan and move through large astronomical images without changing pixel data.

Use it when

Inspecting structure at different scales.

How to use it
  1. 1Use the zoom slider or Fit in the canvas toolbar.
  2. 2Hold Space and drag to pan while another canvas tool is active.
  3. 3Read cursor position and document resolution from the canvas status area.
Start

Undo, redo and SYQ history

Recover processing decisions and preserve the intent of a layered workflow.

Use it when

Exploring alternatives or correcting a recent edit.

How to use it
  1. 1Use Undo and Redo in the toolbar or Edit menu.
  2. 2Keep important alternatives on separate layers before committing.
  3. 3Save an editable project when you need the layer graph and parameters later.
History depth is bounded; projects preserve the current editable state rather than every transient preview.
Start

Crop, rotate and geometry

Reframe, resize or rotate the complete document while keeping layers, masks and WCS relationships coherent.

Use it when

Correcting framing or preparing a final composition.

How to use it
  1. 1Activate Crop from the top toolbar.
  2. 2Move the centre to reposition, drag handles to resize, and use ratio or rotation controls when required.
  3. 3Apply the crop only after verifying all document layers.
Start

Local retouching tools

Heal defects, clone signal, dodge, burn and add text on editable non-linear layers.

Use it when

Removing presentation defects or applying final local corrections.

How to use it
  1. 1Select a suitable pixel layer.
  2. 2Choose Healing, Clone Stamp, Dodge, Burn or Text from the top toolbar.
  3. 3Adjust brush size and feather; use Option/Alt-click to set a Clone Stamp source.
  4. 4Exit the tool with Escape and use Undo if needed.
Use these tools for presentation work, not as substitutes for calibration or scientific correction.
NeuralMini free · V3 licensed

Axiom V3 and Axiom Mini

Separate stellar signal from the deep-sky background and create an independent Stars Only layer.

Use it when

You want to process stars and background separately.

How to use it
  1. 1Select the source pixel layer and open Axiom from Neural Filters.
  2. 2Choose the available model and review the preview region.
  3. 3Apply to create the starless result and reusable Stars Only layer.
  4. 4Use Star Stretch, Star Editing and Reapply Stars for recomposition.
NeuralEssential free · Pro profiles licensed

DeepPrism V2

Locally denoise and restore astronomical structure using profile-specific neural inference.

Use it when

Noise or acquisition softness obscures real signal.

How to use it
  1. 1Open Prism Deep and choose Essential, Advanced, Ultra or Max according to the image and workstation.
  2. 2Use the preview region to inspect reconstruction at native scale.
  3. 3Apply to a new layer and compare at 100% zoom.
  4. 4Reduce strength or mask the result if faint texture becomes too uniform.
NeuralNano free · Pro licensed

Parallax and Parallax Nano

Reduce stars, correct stellar shapes or deblur compact structure with local neural inference.

Use it when

Stars are too dominant, optically distorted or mildly soft.

How to use it
  1. 1Open Parallax and select Reduction, Correction or Deblur.
  2. 2Choose Nano or the licensed model available to the account.
  3. 3Inspect representative stars in the movable preview region.
  4. 4Apply conservatively to a new layer and compare star cores at 100%.
NeuralFree during beta

Deep Gradient

Remove complex large-scale illumination from linear images through a fixed-shape neural background model.

Use it when

A linear wide field contains gradients that are difficult to sample manually.

How to use it
  1. 1Select a linear pixel layer and open Deep Gradient.
  2. 2Inspect the predicted background and valid image area.
  3. 3Apply the corrected result to a new layer.
  4. 4Compare against classical Gradient Removal when preservation near large targets is critical.
NeuralFree during beta

RCLH

Transfer reference chromaticity, luminance or both while preserving the geometry of the source image.

Use it when

Matching the appearance of another rendering of the same field.

How to use it
  1. 1Open RCLH and load a corresponding JPEG, PNG, WebP or TIFF reference.
  2. 2Choose Colours only, Luminance only, or Colours and luminance.
  3. 3Check overlap and feathering, then apply to a new layer.
RCLH transfers appearance; it is not photometric calibration and does not copy reference structures.
Tone & Colour

Display Stretch

Reveal faint linear signal with a visual-only statistical transform, then optionally make it permanent.

Use it when

Viewing linear data before committing to a non-linear image.

How to use it
  1. 1Open Display Stretch from Quick Start.
  2. 2Enable Statistical AutoStretch and link RGB channels when appropriate.
  3. 3Adjust the target median while watching the histogram.
  4. 4Enable New layer and Apply only when ready to bake the transform.
Tone & Colour

SyQon Continuum Stretch

Shape black, midtone and white points with SyQon’s iterative tonal engine.

Use it when

Moving a linear master into a controlled non-linear state.

How to use it
  1. 1Open Continuum Stretch and set the tonal targets.
  2. 2Watch shadow separation and highlight protection in the preview.
  3. 3Apply once the background and target remain balanced.
Tone & Colour

Develop

Establish a natural tonal and colour starting point through grouped development controls.

Use it when

Beginning broad non-linear image development.

How to use it
  1. 1Open Develop on the active layer.
  2. 2Balance exposure, contrast and colour in small moves.
  3. 3Use a new layer so the development remains adjustable by opacity.
Tone & Colour

Curves

Shape luminance and colour response with precise control points.

Use it when

Adding local contrast or targeted channel changes.

How to use it
  1. 1Choose the luminance or RGB channel.
  2. 2Add and move curve points while monitoring clipping.
  3. 3Use a mask when the curve should affect only part of the image.
Tone & Colour

Color Calibration

Neutralise the image background and balance white from image statistics.

Use it when

A linear RGB image has a global colour cast and plate solving is unavailable or unnecessary.

How to use it
  1. 1Open Color Calibration on a linear RGB layer.
  2. 2Set background neutralisation and white-balance strengths.
  3. 3Apply and verify the channels with linked display stretch.
For catalogue-based spectral calibration, use SPCC instead.
Tone & Colour

Levels

Set black, midtone and white points numerically.

Use it when

You need predictable global range control.

How to use it
  1. 1Open Levels and inspect the histogram.
  2. 2Move the black point without clipping meaningful background.
  3. 3Set midtone and white point, then apply on a new layer when possible.
Tone & Colour

Background Tone

Balance sky luminance and colour without globally reworking the target.

Use it when

The background feels too bright, dark, warm or cool after stretch.

How to use it
  1. 1Open Background Tone.
  2. 2Adjust luminance, temperature and tint while sampling empty sky.
  3. 3Use a target-protection mask for crowded or nebulous fields.
Tone & Colour

Protected Color Boost

Increase midtone colour while protecting shadows and saturated extremes.

Use it when

Colour needs presence without clipping stars or noisy background.

How to use it
  1. 1Open Protected Color Boost.
  2. 2Raise colour amount gradually.
  3. 3Tune shadow and highlight protection, then compare at Fit and 100% zoom.
Tone & Colour

Advanced Color

Grade six hue sectors, balance RGB by tonal range and control vibrance with luminance and gamut protection.

Use it when

Performing selective creative colour finishing.

How to use it
  1. 1Choose Global, Selective or Balance controls.
  2. 2Target hue sectors or shadows, midtones and highlights.
  3. 3Enable luminance preservation and gamut compression when required.
  4. 4Apply through a mask for regional grading.
Tone & Colour

ColorPro

Use three-way colour wheels, image picking, selective grading and optional OpenColorIO workflow.

Use it when

A colourist-style interface is preferable for final grading.

How to use it
  1. 1Open ColorPro and select the tonal wheel or sampled colour range.
  2. 2Use the image picker to target a region.
  3. 3Adjust the grade, proof the working space and apply non-destructively.
Tone & Colour

Star Stretch

Stretch an Axiom Stars Only layer using the SETI Astro transfer with optional colour boost and SCNR.

Use it when

Reintroducing linear stars into a processed background.

How to use it
  1. 1Create or select the latest Axiom Stars Only layer.
  2. 2Open Star Stretch and choose the transfer strength.
  3. 3Adjust optional colour boost and SCNR.
  4. 4Apply before Star Editing or Reapply Stars.
Stacking & Astrometry

Fusion Stack

Calibrate, analyse, register and robustly integrate classic, multi-session or mosaic acquisitions.

Use it when

Starting from raw light and calibration frames.

How to use it
  1. 1Choose New stack or open SyQon Fusion Stack from Calibrate.
  2. 2Select Classic, Dual-scope / Multi-session or Mosaic Studio.
  3. 3Add lights, darks, flats, bias and dark-flats to the correct acquisition and filter.
  4. 4In Frames, organise acquisitions and calibration; in Method, choose the processing settings; in Output, set the destination and run the stack.
Use scientific preprocessing defaults unless you have a measured reason to change rejection, normalisation or drizzle.
Stacking & Astrometry

Subframe analysis and review

Measure FWHM, eccentricity, background, noise, stars and relative frame quality before integration.

Use it when

Rejecting weak frames or diagnosing acquisition quality.

How to use it
  1. 1Add light frames in Fusion Stack.
  2. 2Click Analyse subframes.
  3. 3Open Review subframes to inspect previews and recommendations.
  4. 4Override Use selections when visual evidence justifies it.
Stacking & Astrometry

Mosaic Studio

Register multiple panels into a common spherical canvas with overlap, coverage and seam diagnostics.

Use it when

Combining adjacent fields or sessions with different geometry.

How to use it
  1. 1Choose Mosaic Studio in Fusion Stack and keep each panel as its own acquisition.
  2. 2Configure calibration and filters per panel.
  3. 3Use WCS when available or the validated optical registration path.
  4. 4Review layout, coverage and seam diagnostics before publishing the mosaic.
Stacking & Astrometry

Astrometric Mosaic Planner

Plan a rotated, overlapping sky grid before acquisition and export tile coordinates.

Use it when

Designing a future mosaic sequence.

How to use it
  1. 1Open the planner from the astrometry tools.
  2. 2Enter centre RA/Dec, field width and height, rows, columns, overlap and position angle.
  3. 3Choose serpentine order if useful.
  4. 4Copy or export the generated CSV coordinates.
Stacking & Astrometry

Image Solver

Solve an image locally with ASTAP and write a complete celestial WCS solution.

Use it when

You need sky coordinates, SPCC, overlays or WCS-aware mosaics.

How to use it
  1. 1Open Image Solver from Calibrate.
  2. 2Provide approximate centre, field scale or focal information when known.
  3. 3Run the local solve and confirm coordinates and scale.
  4. 4The WCS is attached to the resulting layer/document.
Stacking & Astrometry

Spectrophotometric Color Calibration

Calibrate linear RGB colour against local Gaia DR3 XP spectrophotometry.

Use it when

A solved linear colour image needs catalogue-based colour calibration.

How to use it
  1. 1Solve the image first with Image Solver.
  2. 2Open Spectrophotometric Color Calibration.
  3. 3Choose the white reference and review matched catalogue stars.
  4. 4Apply, then inspect the result with linked RGB display stretch.
Stacking & Astrometry

Alignment Studio

Register open documents using stars or manual control points and inspect distortion residuals.

Use it when

Combining masters or matching layers from different sources.

How to use it
  1. 1Open all source and reference documents.
  2. 2Launch Alignment Studio and select the reference.
  3. 3Choose automatic stars or place manual control points.
  4. 4Review residuals, then create the aligned result.
Layers & Channels

Layers, groups and blending

Build a non-destructive document from pixel, component, channel and mask layers.

Use it when

Combining processing stages without overwriting the source.

How to use it
  1. 1Enable New layer before applying a component.
  2. 2Use the Layers panel to reorder, group, duplicate, hide or delete layers.
  3. 3Set opacity and blend mode for the selected layer.
  4. 4Use Only Stars, Hide Stars and Reapply Stars where applicable.
Layers & Channels

Mask Creator

Create tonal, stellar, filament and ultra-faint diffuse-nebula protection masks.

Use it when

A process must affect only selected signal ranges or structures.

How to use it
  1. 1Open Mask Creator from Layers.
  2. 2Choose the mask family and tune its detection or tonal range.
  3. 3Create the mask as a document layer.
  4. 4Attach it through Mask Stack; white reveals the process and black protects pixels.
Layers & Channels

Drawn and gradient masks

Paint, erase or place linear/radial gradients directly over the image.

Use it when

You need spatial control that automatic masks cannot describe.

How to use it
  1. 1Create or select a mask layer.
  2. 2Choose brush, linear gradient or radial gradient.
  3. 3Drag the centre to reposition and the outer handle to change size or falloff.
  4. 4Leave the mask editor or change layers to clear its on-canvas controls.
Layers & Channels

Mask Stack

Combine multiple masks through Multiply, Minimum, Maximum, Add and related operations.

Use it when

Protection depends on both structure and location.

How to use it
  1. 1Select the target processing layer.
  2. 2Open Mask Stack in the Layers panel.
  3. 3Add existing mask layers and choose a combining operation.
  4. 4Preview the effective mask before processing.
Layers & Channels

Channel Composition

Import and combine RGB, luminance or narrowband masters into a colour document.

Use it when

Starting from separate mono filter masters.

How to use it
  1. 1Choose New channel composition or open the component.
  2. 2Assign each file to R, G, B, L or an emission-line channel.
  3. 3Align sources when required.
  4. 4Create the composition and continue with calibration or stretch.
Layers & Channels

Star Editing

Adjust Axiom stellar flux, saturation, temperature, tint, RGB balance, cores and halos.

Use it when

The Stars Only layer needs independent finishing.

How to use it
  1. 1Select the Axiom Stars Only layer.
  2. 2Open Star Editing and adjust global flux first.
  3. 3Refine colour, core and halo controls at 100% zoom.
  4. 4Reapply Stars when the stellar layer is ready.
Layers & Channels

Channel Mixer

Create new colour relationships with an RGB 3×3 matrix and composition presets.

Use it when

Remapping channels or producing controlled colour combinations.

How to use it
  1. 1Open Channel Mixer on an RGB layer.
  2. 2Choose a preset or edit the output-channel coefficients.
  3. 3Preserve luminance or normalise coefficients when required.
  4. 4Apply to a new layer and check neutral regions.
Layers & Channels

Narrowband Palette Simulator

Preview and apply SHO, HSO, HOO and alternative emission-line mappings.

Use it when

Working with separate SII, Ha and OIII signal.

How to use it
  1. 1Prepare assigned narrowband channels.
  2. 2Open the palette simulator and select a mapping.
  3. 3Balance channel contributions and preview the palette.
  4. 4Apply the chosen mapping to a new colour layer.
Layers & Channels

Pixel Math

Evaluate custom expressions for output channels and combine the active image with another document.

Use it when

A channel operation requires exact mathematical control.

How to use it
  1. 1Open Pixel Math and select the output domain.
  2. 2Write expressions for R, G, B or the mono result using the available image variables.
  3. 3Preview on a small region first.
  4. 4Apply to a new layer and verify signed/HDR values when working linearly.
Layers & Channels

Color Management & Proof

Assign or convert RGB working spaces, adapt white points, inspect gamut and soft-proof output.

Use it when

Preparing predictable display or print colour.

How to use it
  1. 1Open Color Management & Proof.
  2. 2Choose whether to assign or convert the profile.
  3. 3Select rendering intent and white-point adaptation.
  4. 4Enable gamut warning or soft proof before committing.
Restoration

Multiscale & Restoration

Access local contrast, MLT/MMT, convolution, FFT, LHE/CLAHE, range, morphology, denoise and PSF deconvolution.

Use it when

You need classical, measurable structure control rather than a neural model.

How to use it
  1. 1Open Multiscale & Restoration from Restore.
  2. 2Choose the method family and inspect its dedicated controls.
  3. 3Estimate or configure the relevant scale/PSF.
  4. 4Use masks and conservative strength; compare at 100% zoom before applying.
Restoration

Faint Nebula Extractor

Reveal coherent low-SNR filaments with a diffuse-rejecting multiscale ridge detector.

Use it when

Extremely faint filaments are buried near the noise floor.

How to use it
  1. 1Open Faint Nebula Extractor on a clean, calibrated image.
  2. 2Select the expected structural scale.
  3. 3Tune diffuse rejection and signal strength while viewing the diagnostic.
  4. 4Blend the result through opacity or a protective mask.
Restoration

Stellar Reconstruction

Rebuild compact saturated stellar cores from unsaturated wings using a flux-continuous Moffat PSF.

Use it when

Bright stars contain clipped or damaged compact cores.

How to use it
  1. 1Open Stellar Reconstruction and detect candidate saturated stars.
  2. 2Review the stellar selection and PSF fit.
  3. 3Adjust reconstruction strength conservatively.
  4. 4Apply to a new layer and inspect transitions at native scale.
Finishing

Gradient Removal

Model and remove uneven sky illumination with automatic or sampled background extraction.

Use it when

The image contains vignetting, light pollution or broad residual gradients.

How to use it
  1. 1Open Gradient Removal.
  2. 2Choose automatic ABE, sampled DBE or the appropriate multiscale model.
  3. 3For DBE, place samples only on representative background.
  4. 4Inspect the background model, then apply the corrected image.
Finishing

SCNR

Reduce statistically excessive red, green or blue chrominance while preserving luminance.

Use it when

A residual colour channel contaminates the background or target.

How to use it
  1. 1Open SCNR and choose the channel; green is the common default.
  2. 2Select the reduction method and amount.
  3. 3Use a protection mask when legitimate target colour overlaps the channel.
  4. 4Apply and compare neutral regions.
Finishing

Final Sharpen

Enhance nebular detail with noise and star protection.

Use it when

The final non-linear image needs restrained output sharpening.

How to use it
  1. 1Open Final Sharpen near the end of the workflow.
  2. 2Set radius to the target structure size.
  3. 3Increase strength while enabling star and noise protection.
  4. 4Judge at the intended output scale.
Finishing

Smart Nebula Detail

Build a multiscale high-pass detail stack with gray relief view and star protection.

Use it when

Enhancing coherent nebular structure across selected spatial scales.

How to use it
  1. 1Open Smart Nebula Detail.
  2. 2Select useful detail scales in the relief diagnostic.
  3. 3Protect stars and noisy background.
  4. 4Apply subtly and control the result with layer opacity.
Finishing

Orbital Texture Finish

Enhance coherent real structure and add controlled sky microtexture for final presentation.

Use it when

The processed image needs crisp structure and a restrained finishing texture.

How to use it
  1. 1Open Orbital Texture Finish on the final non-linear layer.
  2. 2Balance finish amount, real microstructure and sky texture.
  3. 3Set texture scale and star protection.
  4. 4Use low values first and judge at both Fit and 100% zoom.
Finishing

HDR Compression

Recover highlight and bright-core detail without flattening the entire image.

Use it when

Galaxy or nebula cores dominate the available range.

How to use it
  1. 1Open HDR Compression.
  2. 2Set the compressed range and transition strength.
  3. 3Protect stars and midtone contrast as required.
  4. 4Apply through a target mask for local HDR control.
Inspect & Output

Compare and Preview Model

Compare the current result with its source and inspect model behaviour in a movable native-scale region.

Use it when

Evaluating whether a process genuinely improves the image.

How to use it
  1. 1Enable Compare to switch or divide source and result views.
  2. 2Use Preview Model for neural tools and move the region over representative signal.
  3. 3Inspect stars, background and faint structure at 100% zoom.
Inspect & Output

Astro Scopes

Monitor histograms, channel relationships, luminance, local signal and map diagnostics.

Use it when

Making decisions that should be supported by measurements.

How to use it
  1. 1Open Astro Scopes from the toolbar.
  2. 2Choose RGB, luminance, colour or map views.
  3. 3Move the live probe over the image for local statistics and profiles.
  4. 4Use the scopes alongside—not instead of—the visual result.
Inspect & Output

Scientific image inspector

Measure pixels, local noise, profiles and stellar PSF without modifying the image.

Use it when

Checking background quality, star shape or a suspicious structure.

How to use it
  1. 1Activate the crosshair inspector in the top toolbar.
  2. 2Click or move over the feature of interest.
  3. 3Read RGB/luminance samples, local statistics, profiles, FWHM and PSF information.
Inspect & Output

Celestial coordinate overlay

Display sky coordinates and WCS-aware information directly over a solved image.

Use it when

Identifying position or validating astrometric geometry.

How to use it
  1. 1Run Image Solver on the active layer first.
  2. 2Enable the celestial overlay from the top toolbar.
  3. 3Move through the image and inspect the mapped coordinates.
Inspect & Output

Export and Output target

Write scientific linear data or presentation-ready images with explicit format, precision and colour handling.

Use it when

Publishing a result or exchanging data with another application.

How to use it
  1. 1Click Output target… and choose FITS, XISF, TIFF, PNG or JPEG.
  2. 2Select bit depth or floating-point precision appropriate to the destination.
  3. 3For JPEG/PNG presentation, use the displayed composite and embedded sRGB profile.
  4. 4Confirm the active document and destination, then monitor export progress.
Inspect & Output

SYQ and SYQPRJ projects

Preserve editable Studio state as a self-contained scientific archive or compact linked project.

Use it when

Pausing work or transferring an editable processing document.

How to use it
  1. 1Choose SYQ for a self-contained archive with sources and history.
  2. 2Choose SYQPRJ for a compact manifest linked to originals and a matching assets folder.
  3. 3Keep each SYQPRJ beside its .syqprj.assets folder when moving or backing it up.
Inspect & Output

Updates and required components

Keep the application, neural weights and catalogues current without downloading unchanged assets.

Use it when

At first launch, after a purchase or when a new release is available.

How to use it
  1. 1Sign in and let Required Items verify the account’s components.
  2. 2Open Help → Check for Updates for a manual check.
  3. 3Choose Update Now when an application or component update is available.
  4. 4Studio verifies downloads; application updates close, install and reopen the app.
Inspect & Output

SyQon CLI

Run supported models and file workflows headlessly from scripts, PixInsight, Siril, SETI Astro or another application.

Use it when

Automating batches or integrating SyQon into an external workflow.

How to use it
  1. 1Open the Developer page for the installed CLI path and command contract.
  2. 2Authenticate once through SyQon Studio.
  3. 3Pass supported input/output paths and the public model identifier.
  4. 4Read progress and exit codes, then validate the output before continuing the host workflow.
CLI access follows the same account entitlements as Studio; free models remain available without a paid model licence.

A reliable component pattern

Select the active layer, open the component, preview representative signal, decide whether to create a new layer, then Apply. Black mask pixels protect; white pixels reveal the effect.

Judge at two scales

Use Fit to understand the whole composition and 100% zoom to inspect stars, noise and reconstruction. A process should survive both views.

Keep the source recoverable

Prefer a new layer for meaningful processing steps, name important layers and save an editable SYQ or SYQPRJ project before final export.

Ready to work with your own sky?

Download Studio, open a master or begin a Fusion Stack session, and return to this guide whenever you need the next tool.